THE Belfast Photo Festival returns for the duration of June, offering journeys through history, place and perspective.
The festival has revealed its full programme as it prepares to exhibit works from international visual artists in galleries and public spaces throughout the city.
Clare Gormley, Head of Programmes and Partnerships at Belfast Photo Festival, says: “In this edition of Belfast Photo Festival we explore how artists in the contemporary moment are interpreting the idea of the ‘journey’ as a subject of art. The festival features projects that approach this centuries-old preoccupation from new and surprising angles: works that chart global surges in civil unrest; re-trace epic pilgrimages; explore the passage of time; map out unwritten histories; and chronicle journeys of self-discovery that look inward rather than out at the world.”
Belfast Photo Festival director Michael Weir added: “A huge congratulations to Alice Mann and Carlos Idun-Tawiah, winners of the Spotlight Award, and to all those who have been selected by our expert panel of judges following this year's open submission. The number of entries was unprecedented, with submissions from around the world representing a standard that is as high as it has ever been and reinforcing our place within the international artistic community.”
This year’s jury consisted of representatives from TATE Modern; V&A; Webber, London; Centre Pompidou, Paris; Singapore International Photography Festival; Aperture Magazine; The New York Times; New Museum, Manhattan; and New York’s International Center of Photography.
Michael continued: “As an organisation we are always seeking works from new, emerging and established artists alike that give pause for thought, challenge convention – both in subject matter and in photographic practice – and offer a fresh perspective. As such we’re proud to continue our support for photographers through our open submission programme and Spotlight award.”
Mann’s project 'Drummies' and Idun-Tawiah’s 'Boys Will Always Be Boys' are part of the group exhibition 'A Right of Passage' which will be on display in Botanic Gardens throughout the festival.
Mann’s project depicts the unique and aspirational subculture surrounding all-female teams of drum majorettes in South Africa, affectionately known as Drummies. It became popular across the country in the early 80s, but participation has since dropped dramatically. Drummies is part of the artist’s on-going work exploring notions of femininity and empowerment in modern society. Her aim is for the series to function as a testament to the commitment and determination of young female athletes in a world where so many sporting opportunities are still focused on men.
Idun-Tawiah’s on-going photo series Boys Will Always Be Boys is “a requiem of my childhood friendships and that of many people who grew up in very communal environments.” He comments on how, as years passed, he became “less invested in friendships” and “lost touch with so many activities and friends”. The series, which the artist says will probably keep going as long as he lives, explores the nuances of how time and age change the dynamic of friendships and leisure.
Belfast Lord Mayor Councillor Tina Black says: “We are so fortunate to have such high- quality cultural organisations like the Belfast Photo Festival in this city; they offer us wonderful opportunities to enrich – and journey beyond – our daily lives, gaining new perspectives on the world around us in the process.
“Belfast City Council is proud to support this festival and I’m so pleased to see that we’re hosting the group exhibition A Right of Passage in our beautiful Botanic Gardens, making this artwork accessible to everyone who visits. My congratulations to all the team and exhibiting artists in curating and creating such an inspirational body of work.”
Among this year’s other highlights is a career-spanning retrospective of work from acclaimed photojournalist Alain Le Garsmeur, presented in partnership with Belfast Exposed. Le Garsmeur is renowned for his work for The Times and The Observer documenting dangerous and surreal nature of everyday life in the 1970s and '80s during The Troubles.
'Principled and Revolutionary: Northern Ireland’s Peace Women' is a new series of works from Belfast-born photographer Hannah Starkey that pays tribute to women’s social and political work – which I've written about previously – continues in the Ulster Museum.
Other highlights include 'Fulu Act' by Belgian artist Colin Delfosse, a project that documents how artists on the streets of Kinshasa raise awareness among citizens about the challenges the Congolese capital city is facing; 'The Last Frontier' by Lorraine Turci explores what is at stake in the relationship between human beings and the planet as Antarctica becomes a commodity and destination of choice for wealthy tourists; 'A Myth of Two Souls' by Vasantha Yogananthan retraces the legendary route from Nepal to India to Sri Lanka in a modern retelling of The Ramayana, an epic tale first recorded by Sanskrit poet Valmiki around 300 BC; and 'La Espera – The Wait' by Jordi Ruiz Cirera, a series that documents the realities of migrants, refugees and deportees across Mexico, highlighting the temporality of their situations.
Belfast Photo Festival is supported by the Arts Council of Northern Ireland, Belfast City Council and Alexander Boyd Displays.
For more information on this year’s festival, visit belfastphotofestival.com
