Bronagh Lawson is an artist based in Belfast who has written a blog about the vibrant local contemporary visual arts scene for the last ten years. Previously starting as a participant then manager she ran cross-community cross border development programmes for 13 years.
Originally from Portaferry and Strangford she is a Fulbright scholar and graduate of Winchester School of Art.
Bronagh is a co-founder of the Hydrangea project a Belfast — a Chicago collaboration which uses contemporary art underpinned with art therapy to act as a healing mechanism. Her book 'Belfast City of Light: Looking and Listening to Belfast Come with Me' is based on her experience as a non-churchgoer attending every church in Belfast for a service over a ten year period.
SEVEN years ago Lecturer Dougal Mackenzie of the Belfast School of Art instigated the Art Unwrapped programme where a singular artist in the National Art collection is shown as a gift to the city of Belfast around Christmas.
CITYSIDE shopping centre is filled with a bit of seasonal sorcery this Christmas with Cahoots theatre company's production of the Sorcerer's Apprentice
DECEMBER is a time of year when we can be overloaded with demands but I'm a sucker for an artist's craft fair or an open studio and always try to get along to one. It's a good way to see what's going on in the city while supporting artists and creatives in their livelihoods, capturing someone at an important point in their career and discovering places in the city not so familiar. So break out the piggy bank and come with me as we pay a festive visit.
Two questions that were put to me this week about art: How come Belfast School of Art is 175 years old? And what has been your favourite exhibition of the year?
WITH the Outburst Arts Festival turning 18 this year, Artistic Director Ruth McCarthy says she's putting the disco back into discombobulation in a nine-day extravaganza that includes visual arts, films, talks, workshops and performances.
WHAT helps an artist's legacy rise once they have died? Why do some artists receive posthumous acclaim while others of the same era lose visibility? This is something to consider when viewing the Arthur Armstrong Centenary exhibition at Carrickfergus Museum.
WITH the Royal Ulster Academy's annual exhibition opening recently in the Ulster Museum many people will take time to attend the most visited art exhibition annually. It's a good opportunity to see an array of techniques and pieces from both Academy members and successful candidates from their open submission. This year there are around fifty fewer pieces hung in the galleries which is disappointing for some, but it does leave the exhibition itself with more space and oxygen to view everything that's on offer. You do not leave with a view that anyone has been given a bad spot with the art being hung lower on the wall, neither are you overwhelmed.
FIRST premiered in 1934, Yerma by Spanish playwright Federico García Lorca has been triumphantly adapted by Patrick O'Reilly and is currently on show at the Lyric. The oppressively religious atmosphere and restrictive domestic life of the women in the play have been transformed to the Irish borderlands.
NOVEMBER 1974 may be remembered for different reasons, the atmosphere and daily reality of people living locally being very different to our contemporary reality 50 years on.
RECENTLY I was invited to Norway with Bbeyond artists Siobhan Mullan-Wolfe and Thomas Wells to join a panel at their symposium 'The Challenges Performance Art Faces'.
CAN every artist remember the very moment they decided they wanted to dedicate themselves to being an artist? Lorna Corrigan, currently exhibiting 'Dreamland' at the Cultúrlann, certainly can.
BELFAST 1984 was a very different place from what it is today, but what QSS studios and Gallery and Belfast Exposed have in common is that both organisations started in that same year.
ANYONE who spent time recently watching the Paralympics has come away with a couple of reminders: People who have disabilities can do amazing things, and some disabilities are hidden.
GALLERY 545 in collaboration with the Island Arts Centre is showing an annual major exhibition of the contemporary art of Northern Ireland, featuring over twenty accomplished artists and a large and diverse selection of exciting artworks. ‘Contemporary Art of Northern Ireland’, now in its fifth edition, continues to showcase and celebrate emerging and more established artists based in the region who have achieved recognition locally and internationally. These artists create unique artworks exploring and drawing inspiration from different themes, ideas, traditions and techniques. The art on display has been curated to reflect the diversity and originality of the artists’ creativity. Arranged in two galleries, the numerous artworks encompass vibrant abstracts, atmospheric landscape paintings, works inspired by the beauty of nature, fascinating figures, intriguing photos, exquisite glass art, textile gems and remarkable sculptures. Viewers are invited to take a visual journey through the galleries to discover artists and art and appreciate the wealth of talent in Northern Ireland. The featured artists are Lisa Ballard, Justė Bernotaitė, Ronan Bowes, Majella Clancy, Craig Donald, Ray Duncan, Emma Fitzpatrick, Spencer Glover, Karl Hagan, Elham Hemmat, Eamonn Higgins, Ashley B. Holmes, Janet Keith, Patricia Kelly, Louise Lennon, Judith Logan, Alison Lowry, Sinead McKeever, Sarah McWilliams, Tracey McVerry, Maria Perry, Latisha Reihill and Anushiya Sundaralingam.
WHEN I hear complaints about the Arts Council, I remind the speaker that no matter what the conditions and opportunities are here for artists, we can actually make art. That's not the case everywhere.